Arts Paper
As the editorially independent arm of The Arts Council of Greater New Haven, the Arts Paper seeks to celebrate, explore, and investigate the fine, visual, performing and culinary arts in and around New Haven.
"I’d want women to know that they’re not alone," said panelist Keesa Figgs Desilva in an interview before the panel. During the panel, she added: "Let's bring these women home." Lucy Gellman Photos.
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Louisa de Cossy collects testimonials on Thursday April 5. She and other members of the Nasty Women Testimonials Project will continue collection this Saturday afternoon at the Ely Center. More information here . Lucy Gellman Photos.
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Members of the company of Father Comes Home From the Wars, Parts 1, 2 & 3 by Suzan-Lori Parks, directed by Liz Diamond. Photo by Joan Marcus, 2018.
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A winding, narrow road in snowy Pennsylvania, with a curious inn alongside it. A psychiatric hospital in the sticky New York City Summer of 1965. A small family in Poland or Russia, scrambling to finish cooked oil-flecked, gristly angel meat before midnight.
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In addition to a signature maple chocolate-chip and a now-beloved oatmeal raisin walnut, Cynthia Rae has grown her repertoire to include 84 flavors, including vegan and nonvegan options. The cookies are named after the popular "moon rocks" of the 1970s and 80s. Lucy Gellman Photos.
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Clockwise, from top: Connecticut State Librarian Kendall F. Wiggin, David Green of the Cultural Alliance of Fairfield County, NEMA Director of Engagement Meg Winikates, and Connecticut League of History Organizations Executive Director Laurie P Lamarre. Lucy Gellman Photos.
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Actor and writer Kelley Knight at Thursday's The Commons. At the inaugural event last month, she said that she practices her craft because "I’ve found that if I don’t, it will kill me. It’ll kill my soul, it’ll kill my spirit. " Lucy Gellman Photos.
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An Historic was shredding, accordion style. In the front of the room, Brian Slattery produced a scream from his fiddle, bending at the waist as An Historic threw his shoulders and head into the music. Behind them, Chris Cretella lowered his face so close to his guitar that it looked as though he might pull at the strings with his teeth. The band was not even two minutes in, and everyone was sweating.
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